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November is the start of the holiday season in many parts of the world. It is a time for family, football, food, shopping and decorating, particularly in the Christian and Jewish world, leading to Christmas and...
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A toddler playing in the fountain at a park in Santa Fe, New Mexico—Photo LD Lewis. In August, we live through the Dog Days of Summer. It's hot and often humid, and those ...
Understudy Appreciation Week celebrates the often overlooked role of understudy. A theater understudy is a performer who learns the lines, blocking, and choreography of one or more positions in a stage production, with the primary purpose of being prepared to step in and perform those roles in case the leading actor is unable to complete due to illness, injury, or other unforeseen circumstances. Understudies are essential in ensuring the smooth running of a theatrical production, as they provide a backup in emergencies.
Understudies typically attend all rehearsals, closely observing the leading actor and taking notes on their performance, so they can accurately replicate the role if needed. They may also participate in understudy rehearsals to practice their assigned roles with other cast and crew members.
In some cases, an understudy might also be a part of the ensemble or have a minor role in the production, allowing them to be actively involved in the show while still being prepared to step into a more prominent role if required.
It's important to note that understudies are different from standbys and swings. Standbys are performers exclusively dedicated to covering the lead role or roles, while swings are responsible for covering multiple ensemble tracks and sometimes principal roles in a production. On the other hand, understudies often have their own parts in the show in addition to learning the roles they are understudying.
Being an understudy requires immense dedication, adaptability, and professionalism. They seamlessly step into a role at a moment's notice while still delivering a high-quality performance for the audience.
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